Dance: Up Close and Cultural 2014
June 8, 2014 12:00 am
Carillo Recreation Center
The Program
Master of Ceremonies:
Hugh C. Browne
Introduction
Susan Alexander
Sevillanas
Mari Sandoval and Dancers
Music: Traditional
Choreography: Traditional. Adapted by Mari Sandoval
Music: Sevillanas
Dancers: Mari Sandoval, Kati Isabel, Monica Ramos
Choreography: Traditional. Adapted by Mari Sandoval
Music: Sevillanas
Dancers: Mari Sandoval, Kati Isabel, Monica Ramos
Turkish By Matisse
AD&M Performance Group
Choreography: Mari Sandoval
Music: Three Pieces for String Quartet by Igor Stravinsky
Music: Three Pieces for String Quartet by Igor Stravinsky
Danced by: Carrie Diamond
Pastorale
AD&M Performance Group
Choreography: Carrie Diamond
Music: Andante from Piano Sonata Op. 28 by Beethoven
Music: Andante from Piano Sonata Op. 28 by Beethoven
Dancers: Jessica Feltman, Nikki Pfeiffer, Sally Schuiling
Piano: Eric Valinsky
La Vida Breve
Mari Sandoval and Dancers
Choreography: Mari Sandoval
Music: Manual De Falla
Costume Design: Da’ad Elias D’auri, executed by Nikii Henry
Music: Manual De Falla
Costume Design: Da’ad Elias D’auri, executed by Nikii Henry
Dancers: Mari Sandoval, Kati Isabel, Monica Ramos
Onstage dance activity
Everyone is invited to join
Led by: Carrie Diamond and E. Bonnie Lewis
Led by: Carrie Diamond and E. Bonnie Lewis
Cardinal Sin
Collaboration between AD&M Performance Group and DramaDogs
Created by: DramaDogs E. Bonnie Lewis & Ken Gilbert
Director: E. Bonnie Lewis
Choreography: Carrie Diamond*
Original Music by: Eric Valinsky
Assistant to the Director: Liam Connell
Costumes: Mission Linen
Director: E. Bonnie Lewis
Choreography: Carrie Diamond*
Original Music by: Eric Valinsky
Assistant to the Director: Liam Connell
Costumes: Mission Linen
Acted/Danced by Erica Connell, Nikki Pfeiffer, Sally Schuiling, Mackenzie Urbanowicz
* Ms. Diamond would like to thank the cast for their outstanding choreographic contributions to this piece.
Program Notes: The impetus for the creation of this offbeat piece came from an acting challenge—would it be possible to create a theater piece with a recipe? How does one work with the material that a recipe provides? After perusing many different types of recipes, reading them out loud, improvising with voice and movement, Julia Childs’ Cardinal Slice won out. Her use of language, her dramatic flair inherent in her descriptions and instructions, her wit and her underlying passion spoke to the company and the framework was set. The piece premiered in 1998, was revived in 2014 for SBCC’s April dance concert, and has now reemerged in collaboration with AD&M. Enjoy and savor our madcap chefs as we share our own theatrical kitchen with you!
Please join us for refreshments following the program.
Gallery
Photos by David Bazemore, 2014
Turkish by Matisse — Santa Barbara Premiere
Photos by David Bazemore, 2014
Pastorale — Second Movement World Premiere
Photos by David Bazemore, 2014
Cardinal Sin
Photos by David Bazemore, 2014